Saawariya

2007

Drama / Musical

0
IMDb Rating 5.3

Synopsis


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Movie Reviews

Reviewed by farisahmed135 10

Khamoshi was heart-tugging. Hum Dil De Chuke Sanam was classic romanticism. Black was soul-stirring. Saawariya is visually overpowering. This is a film meant purely for viewers who find cinema a synonym for aesthete. The allegorical settings and Dostovyskian love fable may not find favor with the common people . But for the cineaste, the film is a lyrical odyssey that works at the level of a fable.<br/><br/>The star-crossed romance between a young rock star who lands up in an enchanted town and a mysterious girl unfolds through four dark nights where love, passion interplay with heartbreak, jealousy and longing. Raj, the bar singer leaves his music for a chador-clad girl he spies one silken night, standing in solitary splendor on a smoky bridge.<br/><br/>He tries to befriend her and finds himself irresistibly drawn towards towards Sakina, the raven-tressed maiden who disappears in the haveli with a tantalizing smile and a sad story about a lost lover (Salman Khan).<br/><br/>Time for Raj to tug at his broken-heart with Gulabji, the golden-hearted prostitute (Rani) playing friend and philosopher in his grief. Add to this Zora Sehgal as the delightful landlady who sees her lost son in her cherubic tenant and you have a colorful canvas of human relationships, all bound by sadness. There&#39;s another classic cameo by Begum Para who binds her granddaughter Sakina to herself, with a safety-pin whenever she sleeps and watches Mughal-e-Azam even though she&#39;s almost blind. You wish there was more of her in mist-laden narrative.<br/><br/>Sure, Ranbir is the hero of the film. And quite a winsome one too. The boy can dance, emote and win your heart, the Rishi Kapoor way. The boy has bright future with the girls already wowing his butt-flashing towel drop. And Sonam&#39;s adequate too, albeit too giggly and giddy..better than Deepika Padukone at least!! But the real winner in this romantic fable is the artistry of set and backdrop and the influence of Raj Kapoor which keeps recurring as the couple relentlessly seeks shelter under a black umbrella in rain and snow (remember Sree 420 ).<br/><br/>After hearing the bad comments of this film ,Ihave started hating the critics.

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Reviewed by seriouscritic 10

I strongly disagree people who have slammed this movie. This movie is a piece of art.I had heard bad review of this movie but wanted to see it myself to decide. Sadly I didn&#39;t see it on the big screen to maximize my enjoyment. Nevertheless it was sheer joy to enjoy it on my big screen TV. From the moment I sat down till the movie ended it was non stop poetry. The songs, the acting , the back drop - it was like watching a live play - simply beautiful. The songs are one of the best compositions.. the newcomers were okay but Rani was superb. If you see from the directors eye this movie is sheer brilliant work. The concept is novel the execution is methodic and clean. Overall a nice watch. Highly recommended. Well compared to watching Om shanti Om on the big screen I regret giving this a miss which was playing in an adjacent theaters.. sadly with empty seats. I think bad publicity and do I say negative publicity killed this movie. Well it was a gem of a movie which many sadly missed or just didn&#39;t get it.

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Reviewed by shariqq 9

A grossly misunderstood masterpiece of a movie from Bhansali that might just drive him back to commercial facades only because hardly anyone is able to understand this movie, far appreciate it. I consider it as good as his best work (Khamoshi - The Musical) and in some ways even better. It is more thematic, more intimate and far more mature, yet made with the fervor of boyish charm that Raj (Ranbir Kapoor) exudes as the main lead. It also equally shares the beautiful self-alluring dream-world inhabitance as lived by Sakina (Sonam Kapoor), the other half of the lead pair. On par with any of world cinema in techniques (direction, editing, cinematography, production - oh, the production!), Bhansali weaves for us an exquisite experience that is so illusive that it is an achievement in itself that he actually got a free hand from the producers to make and release the movie as it is.<br/><br/>I may have lost my marbles completely and this movie may forever be forgotten, but I am willing to compare it to the fate of Pyaasa - chided, derided and unforgiven on release; one of the greatest masterpieces out of India in retrospect.

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