The Invisible Man


Horror / Mystery

IMDb Rating 7.1


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6/21/2020 5:16:12 AM

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Movie Reviews

Reviewed by BApianoSnailCatDogAntAgavePlant 7

Andrew Jackson 2ne greatest president(behind Lincoln)? only one to return banks from shadowy organizations to American hands? Mystery science theater 3000 new seasons released : Truly extraordinary my Moonrakers of this achievement of men.<br/><br/>If you like this horror movie enjoy. What&#39;s horror is All comedy is sucked away by 51% of the world&#39;s population whose goal is replication of humans, not creativity, want to disintegrate dreams of the 49% and are an enemy of all creative arts including animation. Need to be herded in correctional facilities to figure out how to deal with these actual walking viruses. Spy/secret agents need to reevaluate their focus and annihilate. Need to get torn up by animal kingdom. Movies with humans have the hero and girl trying to get with each other. They even include animals assuming human characteristics of that man-woman nonsense. Be careful of what gets brainwashed into your subconscious from this. Watch out for hole guys. The romance angle (romance(tm) is too much a term for this) is handled charmingly/cutesy but all of this is like aw man here we go with this stuff. I know this movie spiderman ffh is showing guidance to males how to deal with females. All imagination shown in this movie, creativity is the male ability, while females are replication of humans (aka babies) so both goals are contrasts with each other and know if you stick it in their hole your creativity goes swoosh disintegrates, you fall inline with patriarchy which is uncompromising. Replication is them celebrating the debauchery of humankind while creativity is trying to get closer to God (creating imaginative things.) Any contact with female is the road to babies guys. Even the cutesy way movie dalliances are portrayed. I cant provide all the know-how on the matter, what I can state here that someone else hasn&#39;t figured throughout the thousands of yrs of human knowledge. They want to grind up men but it is I who grind them into fine dust. Wear pink to take their power away? I get it&#39;s hormones, just j/o in toilet or napkin. Nintendo Mother/Earthbound textbook to be released wee- BApiano

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Reviewed by Lejink 7

A woman furtively leaves her marital bed at dead of night in a hill-top, bay-view, hi-tech luxury mansion. She gets away from her soon-pursuing husband by the skin of her teeth and we soon learn in the aftermath that said husband was a control-freak, obsessively watching her every move. And if you look carefully, also that he&#39;s seriously into optics and the like, remember that, it&#39;s important. Next thing, she&#39;s told by hubby&#39;s lawyer brother that he&#39;s been killed and she&#39;s been left his fortune. So she moves in with her cop pal and his college-age daughter and in relief, starts splashing the cash, but somehow she just can&#39;t shake the feeling that her old man is still around and actually isn&#39;t dead at all.<br/><br/>From this set-up, the film could really have gone one of two or three ways, either as a realistically presented psychological thriller with her out-of-sight ex using his power and influence to disrupt her life while keeping well away from her, or even as a study in paranoia with the wife suffering some kind of breakdown and just imagining all the crazy things happening to her. Or, it could of course go the full H.G. Wells and set the psycho-spouse up as a mirror-suited (remember what I said about his interest in all things optical?) killing-machine, rendering him invisible, out to get her back under his control which plan he puts into motion by firstly framing her for the murder of her own sister just for starters, as you would. Guess which way it goes?<br/><br/>So sure enough we get all the cliched, seen-&#39;em-before silly-looking scenes of people fighting and getting beating up by an invisible enemy and lots of static, subjective camera-shots looking at inanimate objects and inviting the viewer to join the connecting dots.<br/><br/>Elisabeth Moss as the persecuted wife, gets to bring out her scared, angry and mad faces as the body count increases and the situations become even more ridiculous and predictable. Not that she takes all the mayhem happening around her lying down, oh no, she sure enough overcomes her terror, finds her inner Sarah Connor and decides to fight back leading to a final reckoning back at their old house. For me, she does a good job of staying in character without once breaking out into fits of laughter at all that&#39;s going on, especially when her stalker turns out to resemble a now-you-see-him, now-you-don&#39;t super-villain running around in a costume that, when revealed, makes him look like a shiny Spider Man.<br/><br/>I just found it all very predictable, weakly-characterised, mildly absurd film entertainment. For one thing, I thought the editing poor with jumps to scenes with little or no explanation. Once I sussed how the film was playing all the carefully arranged attempts at dramatic tension evaporated so that I couldn&#39;t even be bothered to shout &quot;He&#39;s behind, in front of, to the left or right of you or wherever he was!&quot; at the screen.<br/><br/>Sorry, with its transparent characters and see-through narrative, I just couldn&#39;t see what all the fuss was about here.

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Reviewed by lnvicta 8

Leigh Whannell is not a subtle filmmaker - at least, that&#39;s what I used to think. The Saw and Insidious movies are over-the-top and shocking, which is fine, and I enjoyed Upgrade quite a bit, but I was afraid the Invisible Man would fall into the same trap of shock-value over substance. Thankfully, I was wrong.<br/><br/>From the opening scene, the movie sucks you in with tension and unease. Cecilia (Elizabeth Moss) is trying to escape from her abusive boyfriend while he is asleep, and with practically no dialogue or exposition, we immediately understand the situation and feel for Moss&#39; character. She&#39;s trapped in an abusive relationship and fears for her life. It&#39;s a testament to Whannell&#39;s deliberate direction, using visual cues to give us the information we need while slowly ratcheting up the suspense. The movie is not reliant on jump scares. There are a few, but they&#39;re 100% earned and actually effective because we care about the characters. The excellent score helps add to the atmosphere, alternating between pulsating ambience and melancholy orchestral bits.<br/><br/>From the concise writing, likable characters, clever directing, a powerhouse lead performance, and a genuinely scary villain, The Invisible Man gets just about everything right. I suppose you could nitpick some of the logic, but that&#39;s missing the point. It&#39;s a film about gaining freedom from a toxic relationship, and Whannell knows exactly how to pace the story so that we don&#39;t spend too much time dwelling on potential plot holes. Overall, a gripping and expertly crafted psychological thriller.

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